I often turn to one method in painting...

我经常在绘画时采用一种方法……

I cover a canvas of impressive size with paint (pure color or complex shade), layer by layer, and as soon as the paint layer starts to adhere to the canvas and previous layers, I wash away almost everything that has not had time to adhere with a powerful stream of water.

我在一块令人印象深刻的尺寸的画布上一层一层地涂上颜料（纯色或复合色调），一旦颜料层开始粘附在画布和之前的各层上，我就用强大的水流冲走几乎所有还来不及粘附的东西。

I jokingly called this method "Karcher-art".

我开玩笑地把这种方法称为“Karcher-art”。

In fact, it is an important self-reproducing ritual for me. I must understand when to stop. If there is a creator of all that exists, then one can imagine that he also repeatedly wiped off the face of the earth all new generations of being, until he exclaimed: "this is good!" Everything that was "washed away" became earthly dust. Dust is no different in composition from the final creation - it is a substance teeming with possible being. This is how I see the earth. It is simultaneously the same in terms of the potential "charge" within itself, and infinitely different in different corners of our planet. In the TS series, I wanted to feel like part of a larger and larger self-reproducing ritual...

事实上，对我来说，这是一种重要的自我复制仪式。我必须明白何时停止。如果存在着万物的创造者，那么可以想象，他也反复抹去了地球表面所有新生代的生命，直到他惊呼：“这太好了！”所有被“洗去”的东西都变成了尘土。灰尘在成分上与最终的创造物没有什么不同——它是一种充满可能存在的物质。这就是我眼中的地球。它本身的潜在“电荷”是相同的，而在我们星球的不同角落，它又是无限不同的。在 TS 系列中，我想感觉自己是一个越来越大的自我复制仪式的一部分……

In each work, there are several handfuls of soil from some place important to me.

在每件作品中，都有几把来自某个重要地方的泥土。